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Great video, thank you for all the tips on good softwares that do work . ❤

Hello Kindly help me understand why my M32 Midas main LR output has low sensitivity towards vocal signals even when the gain is cranked all way up. The channel shows it's clipping but not much is reaching the LR mains output. So because of this, the backup vocals usually sound too quiet in the live mix. Thank you.

Great videos Michael!, I’m a dj and I have future gig in a convention center and I can not compete with the main stage. I’m working space is 30’x30’ and my issue is I can not be louder than the main stage. I have smaller rig that I use for house party’s consists of 8” mains and 12” subs. Questions is is there a formula of putting 4 8” mains 90/60 coverage in 30’x30’ space in each corners to contain sound in this type of space? Will add two 12” or one15” sub there are no walls just open space with curtain piping to enclose the area.. also do smaller speaker have a smaller coverage?

You should make alot of money knowing all this because it's serious knowledge/ work.

What are the specific points to look at when defending the dm7 compact for example comparing it to the avantis solo? I’m still trying to decide. Thanks

Hello, does this software also calculate sound distribution by considering sound reflections and room acoustics?

I just don’t think I could ever be happy with a mono system. Nice video though!!!

Am confused about which is my reference signal spectrums on reall time on 😢😢😢 wen I was opan pink . I can find only mic response I can't understand reference 😕😕

the 4k sound laser

Unfortunately not able to import the target trace into Smaart (Di2+new suite)... any help would be appreciated

Hey sir can you suggest speakers for our church I can send the pictures of church

Nice introduction video Michael! What I wonder is, how do you get separate signals of your recording for each channel? It's great way for practice if you have multitrack recording on your computer.

My major shortcoming is understanding the dB ratio in terms of math, and soundsystem tuning - hope to learn that later. Also a major challenge for me has been / is getting hands on experience with the gear can be a bit of a challenge - for instance I'm Dante V2 L3 trained but haven't had the chance to use it in-person on a show site.

with your survival spread sheet, is it offered in metric for the rest of the world?

Stereo to digital

Hi Michael! So...if the subs are placed up to one half the wavelength of the crossover point (I'm using 80 Hz), you're still able to avoid power alleys and valleys? I'm I getting that correct?

Don't like them mixer they popping sound volume gose

Hello sir i would like to learn more with assist you is there any chance to offline with you ?

Great video!! This is a terrific guide for both beginner and veteran engineers. At times i can feel complacent about learning new skills, or equipment standards, or simply am not around other A1 engineers often enough to see what "they are doing." WEaknesses for me: i need to spend time improving my knowledge of networking equipment, and speed of room tuning with SMAART. My colleagues would likely say my STRENGTHS are mixing musically, Soft skills with talent/team.

Super helpful and to the point especially when you mentioned how you calibrate your levels to use with BMD switchers as we use them and have been unsure if i was doing it correctly! So if i understood correctly if you hit ebu s2 standards the DBs should be at -16? Because i will meter externally to get -16 lufs but do dbs match the lufs metering or what? A bit confused here 😅

this was amazing, thank you Michael

Great video for beginners, would have loved this when I first started out. You should do a digital mixer like the Yamaha or DigiCo next, they're a lot of fun to unpack :)

Yet again I learn so much from your videos. Thanks Michael! -you teased at how to get better data or coherence from a subwoofer trace capture, please do a video on that! I’ve been combing UA-cam for help on the subject

Hello, if you only have time to do a single measurement, would you put the microphone in the center where the conttol foh?

Thank you so much for this tutorial. Wonderfully explained! It helps out greatly for the live shows!

Would love to see a version on a digital console like the x32, and incorporating some things you always get with digital (compression, busses/subgroups, etc)

You constantly put out great content and are one of the best teachers I’ve seen in a while. Keep up the great work, Michael!

Sounds as if guitar centers sold you too to the idiot world of space saving. Not even the best of best can dial in a super mix in under one song! You're delusional!

my thing ive been struggling with lately is moving from stereo outs to mono outs, and pan settings..

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The musical ability to fade subs up and down 5db throughout the show is the most effective way to keep people interested. Hands down.

I use an A&H GLD-80 and have used a preamp control they call Trim that allow me to reduce the gain signal for the remainder of the signal path. This allows me to set a proper gain with my fader set to unity. If I’m not using this preamp feature correctly please let me know. As allows I appreciate your training and in-depth explanations.

Excellent video as an introduction to mixing! Sharing with all the appys right now!

Question for you, how many db difference should there be from the front to the back.. at our sound booth its about 7db quieter than underneath our arrays.. also sounds harsher underneath.. is this normal? Thank you!

Just did sound for a music festival this weekend... Quick thinking, knowledge of the equipment and being accommodating can be funny at times. One of the larger bands asked, "Can we just have the main mix in our monitors?" (They usually use their own mixer and send the FOH guy a LR mix so the main mix is their usual monitor, but I had all their inputs and provided the monitor mixes.) I replied through the talkback mic, "Yes, of course." Then I said out loud, "Now how am I going to do that?!", which got a chuckle from the other tech guys. I talked through it to myself for :15 seconds, patched and routed it in :10 seconds and within :30 seconds of the request I replied through the TB mic, "There you go." One of the best compliments came from one of the drummers while he watched me sound check another band. He said, "Dude, you are a black belt at this." Not tooting my own horn here, but confirming that Michael's points are spot on, and when you have the skill set, people notice. Thanks again Michael!!

My brief comment is that the chapters in the description don't show up on the video unless you start the list with 00:00 Just something helpful to fix lol

this does not with a dj mixer today

I can dial in a rock band in the fly in under 3 tunes, analog world warm, fat world, everything at your fingertips at birds eye view! Now harsh slow poking thru layers is a different pain. Logically, let's open up 10 ipads.

Great video! Incredibly useful and concise. Bookmarked for helping teach others in the future 👍👍

That's a very handful video for beginners!!!Of course, I would like it to be in Russian for my beginner friends who do not understand the video in English..🗿

I am definitely going to use this video for training purposes 😁 thanks so much Michael

Soundvision autosplay and autofir is a good start to avoid mistakes

i might be very late to watch this specific video but DEAR ! i learnt so much from both of you ! your videos has been so helpful for as a starter in the audio engineering business in Ethiopia .

Have you ever messed with the EAW Adaptive stuff? We have the Anna's and they're pretty wild with the coverage front to back, while also being able to shoot down 90 degrees.